Skales Issues Strong Warning To Fan Over Comment Comparing Daughter To Wizkid

Skales Issues Strong Warning To Fan

Over Comment Comparing Daughter To Wizkid

 

 

 

OpenLife Nigeria reports that a Nigerian musician Raoul John Njeng-Njeng, better known as Skales, has delivered a firm rebuke to an X (formerly Twitter) user following a remark that linked his young daughter to fellow artist Wizkid, crossing a personal boundary for the protective father.

 

The episode unfolded when Skales posted a heartwarming image of himself in a car with his daughter, captioning it with an endearing reference to her as his “passenger princess” and declaring his profound affection.

 

The upload rapidly attracted positive attention, with supporters and industry peers commending the evident father-daughter connection.  However, the atmosphere turned tense when a user named WisdomCN replied, stating,

“The girl too resemble Wizkid, very beautiful.”

 

 Though some might interpret this as a flattering observation, Skales viewed it as intrusive and unacceptable.

 

In a pointed response;

 

 Skales cautioned, “You see if una wan dey do una nonsense no bring am near my family… you no go like wetin I go do you,”.

 

Underscoring his commitment to shielding his loved ones from online jests or unwarranted comparisons.

 

Skales has consistently prioritized privacy, particularly regarding his child, and this reaction arrives amid heightened sensitivities in the Nigerian music scene. Wizkid’s name carries extra weight due to recent disputes, amplifying the potential for misinterpretation.

This incident exemplifies a broader pattern where overzealous fans, particularly those of Wizkid often dubbed “Wizkid FC” instigate unnecessary conflicts. Such fan-driven provocations frequently escalate into larger controversies, as seen in the recent feud between Seun Kuti and Wizkid.

 

That clash originated from similar fan-fueled online banter but ballooned when Wizkid allegedly commented on Seun Kuti’s wife, drawing widespread condemnation and intensifying divisions within the Afrobeats community.

 

These behaviors highlight how fanbases can transform lighthearted interactions into serious disputes, eroding boundaries and fueling toxicity in celebrity circles.

Ultimately, Skales’ stance serves as a reminder for social media participants to exercise restraint, especially when comments involve minors, as even seemingly innocuous statements can provoke strong defenses from public figures safeguarding their families.

 

ABOUT SKALES?

 

Raoul John Njeng-Njeng, professionally known as Skales, is a prominent Nigerian singer, songwriter, and rapper born on April 13, 1991, in Kaduna State. He rose to fame after signing with Empire Mates Entertainment (E.M.E) in 2009, where he collaborated with artists like Banky W and Wizkid. Skales gained widespread recognition with hits such as “Shake Body” and “Mukulu,” blending Afrobeats, hip-hop, and pop elements.

 

After parting ways with E.M.E in 2014, he founded his own label, OHK Music, and continued releasing successful tracks and albums, including “Man of the Year” (2015) and “The Never Say Never Guy” (2017). Known for his versatility and resilience in the industry, Skales has also ventured into acting and remains a key figure in Nigerian entertainment, often advocating for personal growth and family values.

 

ABOUT WIZKID

 

Ayodeji Ibrahim Balogun, popularly called Wizkid, is a globally acclaimed Nigerian singer and songwriter born on July 16, 1990, in Surulere, Lagos.

 

He burst onto the scene in 2010 with his debut album “Superstar,” featuring the breakout hit “Holla at Your Boy,” which established him as a pioneer of Afrobeats. Signed initially to E.M.E, Wizkid achieved international stardom with collaborations like “One Dance” alongside Drake in 2016, which topped charts worldwide.

 

His discography includes acclaimed projects such as “Ayo” (2014), “Sounds from the Other Side” (2017), and “Made in Lagos” (2020), blending Afrobeats with R&B, dancehall, and pop. Wizkid has won numerous awards, including multiple BET Awards and a Grammy for his contribution to Beyoncé’s “Brown Skin Girl.” As one of Africa’s most influential artists, he continues to shape global music trends while navigating high-profile industry dynamics.

 

This event underscores the delicate balance between celebrity engagement and personal privacy in the digital age.

As Nigerian music evolves, artists like Skales and Wizkid exemplify the need for respectful discourse, urging fans to foster positivity rather than division to sustain the industry’s vibrant legacy.